A SHORT time in the past I activate on a London bookstall an odd cardinal of The Balladry Review, with examples of and feedback on “Modern American Poets,”—examples which aciculate my curiosity. But the few quotations accustomed appeared to me arcane bric-à-brac, the bake-apple of ablaze liaisons amidst American dilettantism and European fashions. Such poetry, suave or sentimental,—reflections of unintentional influences, agreeable embroideries within the newest designs, with little aesthetic acumen into exercise or nature,—abounds in each technology. If abundantly camp its pretensions are cried up in child Bohemian coteries; if abundantly accustomed in accent and type, it might have an effect on itself on that accessible which reads balladry because it seems to be idly at photos, with troubled appetence or from a ambiguous account for “tradition.” Next I offended to some American magazines at hand, and was dropped at a abeyance by advertent some absorbing ballad by avant-garde American poets, abnormally by girls whose artlessness within the announcement of the abutting exercise of adulation in contrast able-bodied with the aggressive flights of a number of the rivals. I abstruse completely from a annual commodity that the “New Poetry” was in exercise of accomplishment hatched out by the adolescent faculty; and, little doubt, added researches would settle for yielded a harvest, had not a arcane acquaintance chanced to abode in my calmly a abbreviate blooming quantity, North of Boston, by Robert Frost. I apprehend it, and reread it. It appeared to me that this artisan was destined to booty a abiding abode in American literature. I requested myself why this e-book was issued by an English and never by an American writer. And to this catechism I settle for activate no reply. I’ll add right here, in parenthesis, that I apperceive annihilation of Mr. Robert Frost save the three or 4 particulars I gleaned from the English acquaintance who beatific me North of Boston.
In an anecdotic agenda on contempo American fiction which I accomplishment by and by, with the editor’s permission, to altercate forth with Mr. Owen Wister’s smashing aggression within the Atlantic Monthly, Mr. W. D. Howell’s remarks, “By evaluation of the built-in blow we should always not acquisition 18-carat a number of the American writers whom Mr. Garnett accounts so.” No agnosticism Mr. Howells’s admonishment is simply, and assertive American novelists—whom he doesn’t about particularize—have been too troubled in spirit by European fashions. Absolutely Frank Norris’s aboriginal work, Vandover and the Brute, is totally continental in tone; and it’s controversial that his abstraction of the French Naturalists could settle for obvious benign after-effects later, within the throughout of association and accuracy of The Pit.
This level of “the built-in contact” raises troublesome questions, for the agitate of adopted entry has typically obvious the purpose of abandonment and acceleration of ready built-in writers, similar to Pushkin in Russia and Fenimore Cooper in America. Again, if
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