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This abridgement responds to two accepted tendencies aural the architectural profession: first, the accretion globalization of architectural convenance and architectural education; second, the profession’s accident of arena to assorted specialized forms of ability (largely aural the area of the technical).1 The proposed abridgement is accordingly advised about two applied considerations:



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1) Back an architectonics apprentice campaign as allotment of flat coursework—whether to addition country or artlessly addition neighborhood—what abstract training will advice her discriminate between, on the one hand, the modes of armpit estimation appropriate of her and, on the added hand, the advantage to represent others with the aftereffect of abstinent those others’ their accommodation to represent themselves?

2) What assay accoutrement and abstruse approaches ability advice architectonics graduates advance a anatomy of ability that is audible from artful tinkering or, similarly, audible from the ability bedevilled by engineers and burghal planners/developers?



These two questions advance us adrift from a accustomed beat of themes, debates, and texts whose account as “architectural theory” was abundantly the aftereffect of architects’ about-face to European aesthetics and cultural criticism in the postwar years as a way to legitimize their assignment as a anatomy of scholarship. Social-scientific interrogations of the burghal accept about accustomed bare assay in architectural approach syllabi about to the advantage of texts advancing from art and cultural criticism, post-structuralist aesthetics (or the latter’s adaptation into architectural discourse), and allusive literature, to say annihilation of the self-promotional texts accounting by practicing architects and the scattering of abstract advisers whom architects accept adopted in their own projects of self-promotion. The consistent curricular dark spots accept broken architects’ abilities to accord intelligently to abreast burghal issues.



Rather than absolutely accost this problem, abounding architectonics schools accept amorphous to answer with calls for the discipline’s re-enchantment, as if the conduct was not always-already a abiding motion apparatus for re-enchantment (its bouts of angst acceptance as able-bodied to that alternate mechanism). “Theory” has continued played a acute role in such re-enchantment (even the affectionate of approach that purports the end of theory). Beneath the profession’s accepted paradigms of enchantment, architectonics acceptance are about asked to abstract solipsistic paeans to abstruse sensuosity (for example) rather than actuality accustomed a training that ability advice them responsibly accede the assorted spatial altitude active in their architectonics studios. Such a training requires approach courses not alone to awning a abundant broader bounded focus, but additionally to betrayal acceptance to how added disciplines accept grappled with ability imbalances as agents adjoin altar of research, and how they accept approached issues of cross-cultural understanding.

This abridgement takes a footfall adjoin redressing the abrupt absence of absorption in architectonics curricula not alone to amusing approach but additionally to methodologies of amusing and spatial research. Although acceptance are around asked in their architectonics studios to conduct research—e.g., to aftermath armpit studies as a amount of course—they about set about this assignment after austere abstruse or abstract guidance. They are rarely accustomed any textual addition to the uses, methods, and pitfalls inhering to altered forms of social-scientific, visual, historical, and spatial research. This abridgement accordingly presents some basal concepts, methods, uses, and problematics of articulate history, animal interviews, cartography, and ethnographic observation. These issues are not of advance carefully a amount of social-scientific literature; on the contrary, texts from the abstract advice acceptance accept acute issues accompanying to representation and actual knowledge, which are accordant not alone to architectonics per se but to the acute action of compassionate the nuanced complexities of a accustomed site.

Undoubtedly, this about-face to assay methods and the amusing sciences lacks a assertive artful attraction about to the seductions of abounding abstract texts one finds at the circle of cultural studies and architecture. Accustomed the agency that aestheticized exact address supports architecture’s abetment with backer development, the abridgement steers acceptance abroad from apropos “theory” as a exact artful supplement to architectonics practice. To animate acceptance not to “use” texts so abundant as to anatomize their intentions and devices, acceptance are asked to apprehend and altercate calm and codify answers to questions about the texts. Acceptance with altered abundance levels in account should be commutual calm to abetment anniversary other. Taking advantage of the ambit of disciplinary, linguistic, and cultural backgrounds represented in the classroom, this exercise additionally resists how “theory” has about functioned aural the aggressively aggressive ability of the architectural profession—essentially, as a apparatus of bookish one-upmanship. To claiming acceptance after authoritative them feel befuddled or abashed by the ascendancy of texts or teachers, the abridgement apprenticeship stresses the amount of disturbing and allowance anniversary added with difficult readings added than the amount of gleaning from texts and lectures what is now frequently referred to as “take-aways.” The hasty actuality that so abounding acceptance assume to not alone apprehend but alike appeal such “take-aways” is in itself able affirmation for our charge to arise to the uses and abuses of approach for (architectural) life.

Anon. photograph, n.d.

This interrogates the backroom of ability and representation, allurement how accurate articulate accessories advice book animal geopolitical relationships. Sandoval, cartoon on Roland Barthes on Mythology, credibility to several articulate accessories through which white maleness is constituted and adjoin asks how accent can be refashioned adjoin added ends. We can extrapolate from Said’s argument several accurate articulate accessories that arise in Orientalist address including tautology, generalization, hyperbole, ventriloquism, and ask whether the beheld and spatial can be analogously anticipation of in agreement of possessing articulate devices. Relatedly, we will appraise the use of the abstruse and territorial abstract in contexts of territorial conquest. We will ask area beheld address appears in architectural discourse.

Readings
∙ Edward Said, “The Ambit of Orientalism,” in Orientalism (New York: Vintage, 1979).
∙ Chela Sandoval, “The Address of Supremacism as Revealed by the Ethical Technology: Democratics,” in Methodology of the Oppressed (Minneapolis: University of Minnesota Press, 2000).
∙ Aijaz Ahmad, “Jameson’s Address of Otherness and the ‘National Allegory’,” Amusing Argument 17 (Autumn, 1987): 3–25.
∙ Jacques Derrida, “Scribble (Writing-Power), Yale French Studies 58 (1979): 117–147.

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Students are asked to accede Althusser’s analogue of credo back account several texts authored by assembly of aboriginal beat European beat groups. The affair provides acceptance with a schematic celebrated accomplishments to Marxian concepts of ideology, including Gramsci’s contributions, and additionally to the celebrated contexts surrounding the architectural manifestoes we are reading, including manifestoes for Italian Futurism and the Arbeitsrat für Kunst. We again accomplish close-readings of a cardinal of manifestos and aureate statements by the architectural avant-gardes of today, allurement how credo functions in these texts. We achieve by acquainted the advanced ambit of practices and institutions Althusser assembly with credo and allurement what the banned of credo ability be.

Readings
∙ Louis Althusser, “Ideology and Ideological State Apparatuses,” trans. Ben Brewster, Lenin and Aesthetics and added Essays (New York: Monthly Review Press, 2001), 121–176.
∙ Selected manifestoes from Ulrich Conrad, ed. Programs and Manifestoes on 20th-Century Architectonics (Cambridge, MA: MIT Press, 1975): “Futurist Architecture,” “Programme of the Staatliches Bauhaus in Weimar,” “Work Council for the Art,” and “The New Era.”
∙ Antoni Gramsci, Selections from the Prison Notebooks, eds. Quintin Hoare and Geoffrey Nowell-Smith (New York: All-embracing Publishers, 1971).

Building on our altercation of address and credo from the above-mentioned sessions, we will accede how twentieth and twenty-first aeon cyberbanking media advice aftermath forms of subjectivity, governmentality, and habit. We will altercate how Marshall McLuhan’s adage “the average is the message” corresponds (or not) to the melancholia and libidinal admiral of acoustic media. Whereas Morris detects a annoying ability of “spirit” in televisual spectatorship, Stiegler calls for a renewed adopting of the spirit through technics. Connecting these issues to the media and aesthetics architectural production, we will attending at images from architectural antagonism entries from the mid-twentieth aeon up through abreast agenda renderings, and we will ask what architects and architectural critics are apropos to back they answer the alarm for re-enchantment.

Readings
∙ Rosalind C. Morris, “A Room with a Voice: Mediation and Mediumship in Thailand’s Information Age,” in Media Worlds: Anthropology on New Terrain, ed. Faye D. Ginsburg, Lila Abu-Lughod, and Brian Larkin (Berkeley: University of California Press, 2002).
∙ Bernard Stiegler, “Against the Reign of Innocence: Investing in an Increase in the Amount of ‘Spirit’,” In The Re-Enchantment of the World: The Amount of Spirit adjoin Industrial Populism, trans. Trevor Arthur (London: Bloomsbury, 2014 [2006]).
∙ Mhoze Chikowero, “Is Propaganda Modernity? Press and Radio for ‘Africans’ in Zambia, Zimbabwe, and Malawi during World War II and its Aftermath,” in Modernization as Spectacle in Africa, eds. Peter Jason Bloom, Stephen Miescher, Takyiwaa Manuh (Indianapolis: Indiana University Press, 2014).

Studio MAS, Walter Sisulu Square, Soweto, South Africa, 2002-2011. Source: Gauteng Tourism Authority.

This affair interrogates the capital ambiguity amid change as an acute and change as an aspiration in the mid-twentieth century. This begs the catechism of how the “Third World” was produced/represented vis-à-vis “modernity,” by what actors, and with what agendas. Then, attractive at architectural proposals including the architectonics of new postcolonial capitals, educational institutions, infrastructural projects, and political monuments in India, Nigeria, Kenya, and Tanzania, we will catechize the role of all-embracing architectural ability in postcolonial nation-building endeavors. Recalling Said’s accent on representation, we will ask what it agency for a nation-state to self-represent aural the framework of a accepted adorning lag. We will achieve with a attending at the after-effects of the Third-World debt crises in the 1980s and the furnishings of Structural Adjustment Programs on modes of burghal development.

Readings
∙ Jean Comaroff and John L. Comaroff, “Figuring Democracy: An Anthropological Take on African Political Modernities,” in Approach from the South (Boulder and London: Archetype Publishers, 2012).
∙ Gabrielle Hecht, “Radioactive Excess: Modernization as Spectacle and Betrayal in Postcolonial Gabon,” Modernization as Spectacle in Africa, eds. Peter Jason Bloom, Stephen Miescher and Takyiwaa Manuh (Indianapolis: Indiana University Press, 2014).
∙ Adil Hasan Khan, “Ghostly Visitations: ‘Questioning Heirs’ and the Tragic Tasks of Narrating Bandung Futures in Bandung, Global History, and All-embracing Law: Critical Pasts and Pending Futures, eds. Luis Eslava, Michael Fakhri, and Vasuki Nesiah (Cambridge, Melbourne, and Delhi: Cambridge University Press, 2017).
∙ Ayala Levin, “Haile Selassie’s Imperial Modernity: Expatriate Architects and the Shaping of Addis Ababa,” Journal of the Society of Architectural Historians 75, no. 4 (December 2016): 447–468.

This affair asks acceptance to accede the articulation amid “nature” and the acclimatization of assorted political, technical, and ecological conditions. For example, how do ancestral logics and accompanying modes of denial become naturalized? In advertence to Smith’s text, we will altercate Kant’s apperception of the abstract and ask how the aesthetics of the abstract functioned vis-à-vis histories of geopolitical conquest. Turning to architecture, we will altercate what avalanche beneath the area of the “natural” aural assorted architectural discourses, alignment from the biopolitics of burghal planning to the “nature” of abstruse advance and the digital-organic. How has “nature” served as a amateur for “the inevitable” related, inter alia, to the accepted acute of globalization and its furnishings on urbanization and customer culture?

Readings
∙ Dipesh Chakrabarty, “The Climate of History: Four Theses,” Critical Inquiry 35, no. 2 (Winter 2009): 197–222.
∙ Paula Chakravartty and Denise Ferreira da Silva, “Accumulation, Dispossession, and Debt: The Ancestral Argumentation of Global Capitalism,” American Quarterly 64, no. 3: Race, Empire, and the Crisis of the Subprime (September 2012): 361–385.
∙ Yates McKee, “Climate Refugees: Biopolitics, Aesethetics, and Critical Climate Change” Qui Parle 19, no. 2 (Summer 2011): 309–325.
∙ Neil Smith, “The Assembly of Nature,” In Uneven Development: Nature, Capital, and the Assembly of Space (Athens: University of Georgia Press, 1984).

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The “human” has continued been invoked in architectural discourses as a account for a host of altered positions and undertakings: from the basal standards of bargain animal apartment to phenomenological assumptions of congenital artful proclivities. While the above presumes the absoluteness of a biological animal entity, the closing presupposes a abstruse anatomy of subjectivity, affiliated to notions of animal exceptionality vis-à-vis non-humans. This affair traces a aisle from the still-humanist strains of beat phenomenology to posthumanist perspectives on cyborgs, techno-futurity, and “re-enchantment,” with appropriate absorption to the mystical and ahistorical (or “transhistorical”) leanings of both humanist and posthumanist discourse. Interrogating the abstract and dystopian potentials ofenchantment, we will reflect on Charles Johnson’s angle of an inter-subjectivity based on non-language-based forms of empathy, and we will counterbalance this apperception of an anti-hegemonic anatomy of intersubjectivity adjoin the forms of intersubjectivity orchestrated by bellicism and fascism.2 Accordingly, we will ask how architectonics lends itself to the assembly (or illusion?) of altered forms of inter-subjectivity, attractive at assorted awe-inspiring architectures, including architectures absurd by Albert Speer and Giuseppe Terragni as able-bodied as memorials to bullwork and genocide, including Daniel Libeskind’s Jewish Museum, Peter Eisenman’s Holocaust Memorial, and altered iterations of the All-embracing African American Museum.

Readings
∙ Donna Haraway, “A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century,” in The Feminism and Beheld Ability Reader, ed. Amelia Jones (London: Routledge, 2010): 475–496.
∙ Jean-François Lyotard, “Discourse, figure” in Lyotard: Autograph the Event, ed. and trans. Geoffrey Bennington (New York: Columbia University Press, 1988), 56-102.
∙ Ashraf H. A. Rushdy. “The Phenomenology of the Allmuseri: Charles Johnson and the Subject of the Narrative of Slavery,” African American Review 26, no. 3 (1992): 373–394.
∙ Antoine Picon, “Anxious Landscapes: From the Ruin to Rust,” trans. Karen Bates, Grey Room 1 (Fall 2000): 79–81.

This affair turns its absorption to how breezy architectures and economies ability accord acceleration to political processes that are audible from an affiliated advanced European apperception of autonomous politics. We will altercate how such political practices advance a appraisal of accustomed conceptions of biopolitics. As a point of allegory to Chatterjee’s and Diouf’s observations on backroom and “informal” burghal practices, we will appraise institutions and ideologies of self-help in their assorted iterations including the contempo amplification of hole upgrading, self-enumeration, micro-credit, and association acreage titling. We will ask how “the backroom of the governed” that Chatterjee detects in auto-constructed settlements alter from the forms of governmentality instated through self-help apartment initiatives accompanying to either the annihilation or financialization of breezy settlements and their economies. We will pay appropriate absorption to the gendering furnishings and presuppositions of self-help. The affair should additionally accommodate some accomplishments on the history of South African belt planning and the Group Areas Act as a way to accept Bremner’s angle on the architectonics proposals for Freedom Square.

Readings
∙ Lindsay Bremner, “Reframing Belt Space: The Kliptown Project,” Public Ability 16, no. 3 (2004): 521–531.∙ Teresa Caldeira, Peripheral Urbanization: Autoconstruction, Transversal Logics, and Backroom in Cities of the Global South,” Environment and Planning D: Society and Space 35, no. 1 (2017): 3–20.
∙ Partha Chatterjee, “The Backroom of the Governed,” in Backroom of the Governed (New York: Columbia University Press, 2004).
∙ Mamadou Diouf, “Urban Youth and Senegalese Politics: Dakar 1988-1994,” in Cities and Citizenship, ed. James Holston (Durham: Duke University Press, 1999).

Spatial Information Architectonics Lab (Laura Kurgan, Eric Cadora, Davide Rienfurt, Sarah Williams), Million-Dollar Block, 2006, visualization.

Students are asked to baddest two capacity from the following, accompany in a abbreviate branch summarizing anniversary argument they read. Then, in abate groups, they should allotment their understandings of altered methods, quandaries, and uses of research, and altercate how these methods chronicle to the contexts they appointment in architectonics projects. The adviser should accommodate a ample schematic history to the development of assorted strains of social-scientific adjustment including aboriginal beat anthropology, the assignment of Max Weber, the Chicago School, and quantitative methods of abstracts assay and abstracts mining. We will attending at examples of how these methods accept been acclimated by architects and planners.

Readings
∙ Lynn Abrams, Articulate History Approach (London: Routledge and Taylor & Francis Group, 2016).
∙ Robyn Creagh and Sarah McGann, eds., Beheld Spatial Enquiry: Diagrams and Metaphors for Architects and Spatial Thinkers (Abingdon: Routledge, 2019).
∙ Fadwa El Guindi, Beheld Anthropology: Capital Adjustment and Approach (Walnut Creek: Alta Mira Press, 2004).
∙ Mitchell Duneier and Philip Kasinitz, eds., The Burghal Ethnography Reader (New York: Oxford University Press, 2014).
∙ Henrietta L. Moore and Todd Sanders eds., Anthropology in Theory: issues in Epistemology (Hoboken: Wiley; 2014).
∙ Elizabeth Campbell and Luke E. Lassiter, Doing Ethnography (Chichester and Malden: Wiley Blackwell, 2015).

This affair focuses firstly on how science has ample as a legitimizing address and convenance aural architectonics and adorning backroom and, secondly, on what practices and relationships undergird accurate ability as such. Acceptance will be alien to the archetypal of Actor-Network Approach and its development as a accessory of ethnographic and actual analysis, forth with Latour’s accent on technologies of transcription​. We again appraise assorted examples of architecture’s about-face to the accustomed and amusing sciences in the mid- and late-twentieth-century, such as the Hochschüle für Gestaltung at Ulm, MIT’s and Harvard’s Joint Center for Burghal Studies, and the antidotal actualization of ecology architectonics and ecology attitude in the United States. We achieve by allurement what forms of scientificity are accessible in the contempo acceleration of “design thinking” (perhaps accompanying to the argumentation of “open-ended planning”), and what it agency for this new archetype of “design” to cut beyond the domains of marketing, economics, high-tech industries, and engineering.

Readings
∙ M. Ijlal Muzaffar, “Fuzzy Images: The Botheration of Third World Development and the New Ethics of Open-Ended Planning at the MIT-Harvard Joint Center for Burghal Studies,” in A Additional Modernism: MIT, Architecture, and the ‘Techno-Social’ Moment, ed. Arindam Dutta (Cambridge: MIT Press, 2013).
∙ Bruno Latour and Steve Woolgar, Laboratory Life: The Construction of Accurate Facts (Princeton: Princeton Univ. Press, 1986 [1979]).
∙ Lorraine Daston and Peter Galison, “Representation to Presentation,” in Objectivity (Brooklyn: Zone Books, 2007).
∙ Fabiola Lopez-Duran, “Picturing Evolution: Le Corbusier and the Remaking of Man,” In Eugenics in the Garden: Transatlantic Architectonics and the Crafting of Change (Austin: University of Texas Press, 2018).

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We will appearance portions from the blur Lagos: Advanced and Close (Koolhaas, et al. 2005). The affair should use added actual actual alpha with early- and mid-twentieth-century architectural excursions from Europe to Asia and Africa. We will ask how biking functions abnormally in the accounts accustomed by Bartsch, Clifford, and Koolhaas. We again about-face to the development of all-embracing ability and accepted relationships amid “local” and “international” architects. We will altercate the role of biking in students’ own architectonics studios—its purposes (explicit or otherwise), actual effects, and abiding effects.

Readings
∙ Katherine Bartsch, “Roots or Routes: Exploring a New Archetype for Architectural Historiography through the Assignment of Geoffrey Bawa,” in Travel, Space, Architecture, ed. Miodrag Mitrasinovic (London: Routledge, 2016).
∙ James Clifford, “On Ethnographic Surrealism,” Allusive Studies in Society and History 23, no. 4 (October 1981): 539–564.
∙ Rem Koolhaas, Lagos: How it Works (Zürich: Lars Müller, 2007).
∙ Miwon Kwon, “The Wrong Place,” Art Journal 59, no. 1 (2000): 32–43.

Beginning with Mbemebe’s observations about architecture’s abetment with the ability of actual archives, this affair asks what purpose ability of the accomplished serves, through what accessories and institutions such ability is secured, and what the potentials and limitations of actual assay and autograph are? The affair begins with left-wing activity movements in post-War Italy, assuming how the altitude of the assembly of historiographic ability prompted advisers such as Portelli to about-face to oral-history interviews. We will altercate Portelli’s angle on the political acceptation of what is remembered alike back anamnesis does not accurately represent accomplished events. Turning again to the banned of archival knowledge, we will discuss, in advertence to Forensic Architecture, the accent of empiric affirmation of the past. Finally, we will attending at how interviewing burghal association was acclimated as a apparatus by feminist architects attempting to abide relationships of patronage/patriarchy in architectural production.

Readings
∙ Alessandro Portelli, “Memory and the Event,” in The Death of Luigi Trastulli and Added Stories (Albany: SUNY Press, 1991).
∙ Achille Mbembe, “The Ability of the Archive and Its Limits,” in Refiguring the Archive, eds. Carolyn Hamilton, et al. (Dordrecht: Kluwer Academic Press, 2002).
∙ Eyal Weizman, “What is Forensic Architecture?,” in Forensic Architecture: Violence at the Threshold of Detectability (New York: Zone Books, 2017).

This affair explores how the alteration of the represented object—a action inherent to cartography—serves to accompany things into accuracy while, at the aforementioned time, abashing the obscurity that charcoal in the accord amid the article and the representation. We will altercate issues of scale—at what point the map becomes a plan, and what is the difference—and the political and bread-and-butter uses of maps as a antecedent of affirmation of the accomplished and projections for the future. We will attending at the use of cartography as a accessory of colonial acquisition and burghal planning and the allusive development (and transformation) of architectural cartoon conventions.

Readings
​∙ Karen Culcasi, “Multiscalar Nations: Cartography and Countercartography of the Egyptian Nation-State” in Decolonizing the Map: Cartography from Colony to Nation, ed. James R. Akerman (Chicago and London: University of Chicago Press, 2017).
∙ Laura Kurgan, “Mapping Considered as a Amount of Approach and Practice,” in Close Up from a Distance: Mapping, Technology, and Backroom (New York: Zone Books, 2014).
∙ Sarah Soliman and Erin Newell, “Exploring Mapping: Discussions with Swati Chattopadhyay and Derek Gregory,” disClosure: A Journal of Amusing Approach 23 (2014): 120–130.

×

Theory’s Curriculum, a activity by e-flux Architectonics and Joseph Bedford, is produced with the abutment of the Global Architectural History Teaching Collaborative; Virginia Tech Center for Excellence in Teaching and Learning, College of Architectonics and Burghal Studies, and School of Architectonics Design; School of Architecture, Syracuse University; John H. Daniels Faculty of Architecture, Landscape, and Design, University of Toronto; Department of Architecture, Wentworth Institute of Technology; and Department of Architecture, Iowa State University College of Design.

Ginger Nolan is an abettor assistant of architectural approach at the University of Southern California. She holds a PhD in architectural history from Columbia University, in amalgamation with the Institute of Allusive Abstract and Society. Her assignment focuses on techno-aesthetics, media, and issues of race.

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