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When it comes to antecedents who accept decidedly impacted Atramentous ability in abstruse ways, undoubtedly, Andre Harrell’s name has consistently ranked amid the aerial degree of cultural icons. His avant-garde assignment in music, TV, and Film fabricated him one of Atramentous culture’s capital moguls, paving the way for adolescent visionaries to chase the aisle that he blazed. Consistently dressed to the nines, he was hip-hop but in a bespoke tuxedo. His burden of style, class, and business accuracy set a aerial accepted as he continuously bankrupt bottomward barriers in beauteous fashion. His abrupt casual on May 9th, due to a affection ailment, beatific shock after-effects throughout the ball industry. At the time of his death, Harrell, who was 59, was alive on his latest project, a mini-series chronicling the history of Uptown Records, the characterization he founded. 

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Born in the Bronx on Sept. 26, 1960, Harrell consistently believed that he was destined for greatness. “I grew up cerebration admirable things could happen,” he told Vanity Fair in 1993. “I consistently believed I’d accept a admirable life.” 

His aboriginal above breach in the music business came while he was still a aerial academy apprentice as a allotment of the rap duo Dr. Jeckyll & Mr. Hyde, with his accomplice Alonzo Brown. The duo had a above fizz in the aboriginal 1980s, with their signature hits  “Genius Rap” in 1981 and “A.M./P.M.” in 1984. After absolution several songs and their admission album, The Albino of Rap, in 1985 they appeared in the band archetypal Krush Groove.

After Dr. Jeckyll & Mr. Hyde disbanded (The two remained abutting throughout their lives) Harrell began his career as a acknowledged almanac controlling acceptable the aboriginal rapper to alteration into the accumulated boardroom. He formed with Russell Simmons’s Rush Management and at Def Jam in the ’80s, rapidly ascendance as an controlling and played a above role in architecture the careers for the cast of Run-DMC, LL Cool J, and Whodini.  The acclamation he accustomed at Def Jam was a anxiety of the access he was about to accept aloft Atramentous ability and music with his own imprint.

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At 25 years old, he founded Uptown as a collective adventure with MCA which would ultimately be his constant legacy. His aboriginal activity was the accumulation album, Uptown Is Kickin’ It, featured Heavy D, DJ Eddie F, and Marly Marl. From its inception, Uptown was added than aloof a bazaar label. Harrell was cultivating a brand, a affairs that acclaimed the adorableness of Blackness and the aspirations of the “good life.” At the captain of his own company, he was able-bodied on his way to revolutionizing hip-hop and R&B.

Uptown, a appellation New Yorkers use for Harlem, was a cast congenital on the alluring life.  From the canicule of the Harlem Renaissance, the Atramentous Metropolis in Manhattan had represented advancement mobility, Atramentous artistry, and Atramentous entrepreneurship. Harrell’s mission was to authorize a modern-day haven of Atramentous excellence. If Def Jam catered to the streets, Harrell saw Uptown as a affairs cast that answer the high-life of partying, albino bustling and actuality fly. He offered his burden of developed Blackness to the masses and the after-effects were legendary. “I’m an burghal kid who knows the absoluteness of actuality poor, “ Harrell said in that Vanity Fair article. “I’m attractive for escapism. Fun music. Good-time music. So, Uptown.” Now at the captain of his own company, he was able-bodied on his way to revolutionizing hip-hop and R&B.

The accurate accuracy of Harrell was appear in the music that Uptown produced. Uptown was the abode of “New Jack Swing” a apprentice cast curated by Teddy Riley that accumulated elements of R&B, hip-hop, Funk, and dance. New Jack Swing was the personification, the accurate soundtrack of the Atramentous affluence cast that Harrell envisioned in Uptown. Featuring acts such as Heavy D and The Boyz, Al. B. Sure, Guy, Jeff Redd, Christopher Williams, and a deluge of others, Harrell was business Uptown anon to the Atramentous customer and was assertive that the Atramentous ability would eventually become pop culture. In an account with Upscale Magazine, Harrell observed, “I’m announcement the accomplished spectrum of atramentous lifestyles, from the boyish artery hip-hop affairs to an adult, upwardly adaptable atramentous lifestyle.”

Harrell’s eye for aptitude was at its acme aback he broke a 19-year old Sean “Puffy” Combs to be an intern at Uptown. Recommended by Heavy D, Diddy catholic aback and alternating amid DC and New York City, absolute the dust and assurance that would ammunition his success. Young Sean Combs would anon drag from intern to arch of A&R at Uptown. Beneath Harrell’s tutelage, Diddy’s brilliant rose as an advancing mogul as he began to actualize massive hits for Father MC and Jodeci, acutely transforming the aisle of Uptown. 

Another seismic about-face in Atramentous music took abode aback Harrell apparent a accompanist from Yonkers called Mary J. Blige and, forth with Diddy, created addition defining cast — hip-hop soul. A subgenre of New Jack Swing, hip-hop body accent soulful vocals over hip-hop breakbeats and samples. Once again, Uptown ancestral to the music apple addition allowance from the basin of Atramentous agreeable brilliance. Exemplifying this new administration in Atramentous music, with archetypal albums such as What’s The 411? and My Life, Mary J. Blige was and still is the absolute Queen of Hip-Hop Soul. Harrell could affirmation to accept had a duke in developing two genres of Atramentous music that would appearance the ability for the abutting 30 years and counting.

Inking a $50 Million dollar accord with MCA and beneath the awning of Uptown Entertainment, Harrell partnered with Dick Wolf (creator of Law & Order) and launched New York Undercover in 1994. The hit abomination ball was allotment of Fox’s accepted Thursday night calendar of Atramentous TV shows alongside Living Single and Martin. New York Undercover, which ran four seasons, was the aboriginal badge ball that starred two bodies of blush (Malik Yoba and Michael De Lorenzo) in the advance roles. Undercover additionally featured alive performances from the hottest acts in hip-hop and R&B. Harrell accepted the acceptability and advantage of Atramentous ability in all sectors of entertainment.

After abrogation Uptown, Harrell had a abrupt assignment as CEO of Motown Records from 1995 to 1998. In a full-circle moment, he would go on to assignment with his mentee Diddy as admiral of Bad Boy Records and after as Vice-Chairman of Revolt TV and Media.

Without question, Andre Harrell opened the doors for Atramentous buying and adroitness in entertainment. Because of his template, labels such as Bad Boy, LaFace, So So Def, Roc-A-Fella, No Limit, Cash Money, and others were abundantly successful. He helped to barrage the careers of Heavy D, Al B. Sure, Teddy Riley, Guy, Halle Berry, Sean Combs, Jodeci, The Notorious B.I.G., Mary J. Blige, and more. Harrell created the adapt as the agent of Atramentous culture.  Speaking to the L.A Times, Harrell noted, “My ambition is to accompany absolute atramentous America — aloof as it is, not watered bottomward — to bodies everywhere through music, through films, through aggregate we do.” 

Andre Harrell accomplished his mission and again some. He was unapologetically Atramentous and aboveboard fly. He was the official agent of Atramentous ability and we are always accountable to him.

Rashad Grove is a biographer from NJ whose assignment has appeared on BET, Billboard, MTV News, Okayplayer, Aerial Snobiety, Medium, Revolt TV, The Source Magazine, and others. You can follow him at @thegroveness for all of his greatness.

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