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With a bright career spanning added than 40 years, Robyn Hitchcock charcoal one of the world’s best appropriate song writers. Built-in in Paddington, a adjacency of London, in 1953, his ancestor Raymond Hitchcock was a novelist, screenwriter, and artist best accepted for his atypical Percy. Robyn abounding Trinity College at Cambridge but bootless to graduate. However, it was actuality he began his agreeable career by busking and assuming with a array of groups. 



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First advancing to bulge in the backward 70’s with the seminal Soft Boys, Hitchcock’s anthology Can of Bees had brutal, arrant guitar curve evocative of Captain Beefheart while the consciousness-expanding archetypal Underwater Moonlight veered into Syd Barret surrealism. Subsequent works oscillated amidst abandoned acoustic actual and fuller productions backed by The Egyptians and the Venus 3, the closing of which included R.E.M.’s Peter Buck and Young Fresh Fellows frontman Scott McCaughey. 

Along the way, Hitchcock has had abounding collaborations with Led Zeppelin bassist John Paul Jones, Nick Lowe, Gillian Welch and David Rawlings, Grant Lee Phillips, The Decemberists, Jeff Mangum of Neutral Milk Hotel, Brendan Benson of the Raconteurs, and abounding others. Afresh he has been alive on a consciousness-expanding pop activity blue-blooded Planet England with XTC’s Andy Partridge. 



Hitchock has additionally biconcave his toe into the apple of cinema and has formed on assorted projects with administrator Jonathan Demme. In 1996 he appeared in Demme’s concert blur Storefront Hitchcock, acted as bifold abettor Laurent Tokar in Demme’s accommodate of The Manchurian Candidate, and as a bells accompanist in Demme’s Rachel Accepting Married. 



Today, Hitchcock lives in Nashville, Tennessee with his accomplice Emma Swift with whom he will be assuming at Murmrr in Brooklyn this Thursday, November 21. I batten to him by buzz afresh about his upbringing, songwriting, time travel, aliens, and the constant accent of The Beatles. 

MC: Do you bethink what it was that initially drew you to music? 

RH: Well, I admired music anytime aback I was two or three. My ancestor had bought records: Bill Haley “Rock About The Clock” and Lonnie Donegan, who did skiffle, which was array of an odd admixture of acoustic folk and bedrock and roll, a pre-beatnik affectionate of thing. John Lennon started with that. It was a British aberration of American music with acoustic guitar, somebody arena bass on a tea chest with a besom handle on it. It was absolutely primitive, like pre-electric punk, y’know? 

My ancestor acclimated to accept to folk music. He’d been afflicted in Apple War II and aback he was convalescent from his leg abrasion in Newcastle lying in the hospital on morphine about abandoned by German shrapnel, the nurses were singing arctic English folk songs. He developed a aftertaste for British folk music. So we had that in the domiciliary and aboriginal bedrock and roll. Again the Beatles and Bob Dylan came along, and by the time I was apparent to that, my fate was decided.  

MC: As a child, The Beatles addled me as about affectionate of dreamy, animation music. I apperceive that affection filters bottomward to abundant of your music. How did The Beatles bang you aback you aboriginal heard them?

RH: They were aloof magnetic. I didn’t accept an assessment about them, I was ten. I bethink audition their name and thinking, “Oh, The Beatles, that’s a asinine pun.” I was a aloof kid, absolutely precocious, aggravating to anticipate like a average age-old person. But I aloof heard “From Me To You” and “Please Please Me” and that was it. I didn’t anticipate about it, I aloof followed it like millions of added accouchement about the world. 

And you’re right, it was array of cartoony. They alike had a Beatles animation over in the states, which we never had in Britain. My activity was mapped in Beatles songs. I went from “Please Please Me” aback I was ten to “Abbey Road” aback I was 16. My accomplished aisle into boyhood and into aboriginal adolescence was started by The Beatles. As they were developing, I was developing, and millions of us were accomplishing that. The Beatles accompanied us and they still, alike added now, abide a abundantly absolute sound, alike aback they bankrupt bottomward into their alone apparatus like they did for the aftermost three records. There was such an atmosphere, heart, and vibe to their songs. It was there, and I anticipate accouchement still adulation Beatles music. You were built-in in 1970? 

MC: Yes.

RH: So, you appeared as they went. But I anticipate the bulletin still alcove people. I anticipate of The Beatles as absolutely accurate 20th aeon folk music. If you appetite to comedy songs to children, The Beatles are a actual acceptable abode to start. 

MC: You adduce Bob Dylan, John Lennon, & Syd Barrett as above influences. Your music has consistently had a consciousness-expanding quality. What continues to draw you to that sound? 

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RH: Well, to me it’s a brand of music that The Beatles, Dylan and all the added heroes of that age artificial amidst them, The Beatles actuality the bigger archetype alpha with Revolver, but additionally spanning Jimi Hendrix, Syd Barrett, and abounding others. It was the complete that I heard and that was the brand of electric music that I capital to produce. And it hasn’t changed. The aforementioned assumption for my aftermost anthology was the one that we had for Underwater Moonlight 40 years ago. The Soft Boys actuality afore that was a bit added beginning and Captain Beefheart afflicted I suppose. But if I fabricated addition electric almanac it would complete like Underwater Moonlight. I’m not abiding I’m planning to, but to me that’s that complete I do. I’m a two and a bisected ambush pony. I do that, and I do quiet acoustic with a bit of piano. I tend to blunder from one to the added beyond the windshield. Those are the genres. Again, I don’t absolutely anticipate about it until I’m asked, but if there was a class of music in almanac stores, there’d be a brand of music with those people, and I’d be in it. Not necessarily from time but added from complete and attitude. I accept the abutting equivalents are Julian Cope and Andy Partridge, who ironically alive about 20 afar from anniversary other. And of advance I am alive with Andy from time to time on consciousness-expanding pop. 

MC: I capital to ask you about that. I apperceive you put out an EP with him. 

RH: Mmm, Planet England. 

MC: What’s your accord with him and how did this activity appear about? 

RH: Andy and I appeared out of the bend of anniversary other’s eyes and were absolutely apprehensive of anniversary other, apparently because we were already actuality compared. XTC was a array of pop adaptation of the Soft Boys; they absolutely were on top of the ancestor and had hits. We never did annihilation as aerial contour as that. The Soft Boys wasn’t absolutely advised as a pop group. But in the backward 80’s we were accepting the aforementioned comedy on radio stations and gradually we aloof ran beyond anniversary other. By the 21st century, aback were both into our 50’s, I started activity up to his abode in Swindon, and we’d address annular the table and almanac in his shed. We had a aperture for a while, we absent touch, and again I confused to Nashville, so there was a big gap. Aftermost year we assuredly accomplished them off. We had so abundant fun we started addition one. We’re two songs into it I think. But I accept to get over to Swindon. He doesn’t absolutely travel; Andy’s not portable. I got him bottomward to London already aback I lived there. We recorded some stuff, but I absent the tape. 

So that’s ongoing. I’m acquisitive we can accomplish a abounding breadth LP, but it aloof depends if we alive continued enough. 

MC: I achievement that you do!

RH: I achievement that there’s a apple for us to comedy it to, you know. It’s not aloof us. We ability be larboard and anybody abroad ability be gone. You don’t know. But it’s nice, we’re two old guys in our backward 60’s accepting calm in the kitchen and arena guitar, and it array of keeps us out of agitation really. Oddly enough, he’s the alone actuality I can absolutely co-write with. Our minds assume to move at the aforementioned pace. Whichever way a song is going, we both assume to appetite to booty it the aforementioned way. And I can atom the XTC ambit configurations and harmonies and things. I anticipate in our active we’re both authoritative Beatle music, probably. 

MC: About forth the way I got angry assimilate to Andy’s assignment with The Dukes of Stratosphere, which is absolutely psychedelic. So, it seems like a accustomed collaboration. 

RH: Yeah, we both adulation that stuff. 

MC: How does co-writing work? Does he advance a band and again you bell in or vice-versa? 

RH: Yeah. Or we’ll appear in with a appellation or something. But whatever it is, so far it’s been absolutely accessible for one of us to chase the added in a way that I can’t absolutely do with anybody abroad because the way I go doesn’t absolutely go with anybody else. So I like that, and I like the exercise of co-writing with him. My actuality is actual cocky complex and absolutely dark. With him it’s added approachable and extroverted. It’s added like, “This is gonna be fun to hum forth to.” Again, added like The Beatles and beneath like a abandoned Lennon or Harrison record. 

MC: Aback you’re alive on lyrics, are you carefully attractive for means to abuse the ordinary? I’m cerebration of curve like “you’ve been laying eggs beneath my skin” from Underwater Moonlight. You could’ve said “you gotten beneath my bark baby” but you took it about abroad completely. “Now they’re hatching out beneath my chin.” 

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RH: Umm, I never anticipation of “getting beneath my skin.” I absolutely anticipation of somebody absolutely laying eggs beneath your skin. I had a beheld angel of the way you could be colonized by some insect or some added activity form. It’s absolutely adverse and awful the way bodies can boss anniversary other. I’ve consistently hated cliches, and one of my allegorical missions from the Soft Boys advanced was to try to acquisition altered means of putting things.  If that addled some bodies as awkward or contrived, again so be it. I aloof didn’t appetite to resort to banal expressions because I anticipate they advance to blandness, they advance to the impersonal, and they advance to nothing. To me the best songs were consistently accounting in a actual claimed way with the singer’s accent appropriate in there, and you acquainted like you were alert to an individual. 

MC: I apperceive you acrylic and draw, which we can see accident in your latest video “Sunday Never Comes”, and you’ve done the artwork for several of your albums. You additionally advertence authors Virginia Woolf & Sylvia Plath on your aftermost album. How do added art forms access your music, if at all? 

RH: Poems, stories, pictures…if they answer with you it’s alone a amount of time afore they acquisition their way into your work. Music is the best affecting way of announcement for me; it’s adamantine to accept to a painting, so I adopt to sing if I can.

MC: What inspires you today? 

RH: I address songs because the 15-year-old me capital to do that so abominably that I accomplished myself to address them. Inspiration can be from trauma, it can be from a anesthetized dream state, or it can be from accidental trivia that alights in the brain.

MC: You’ve articulate of things as alluvial as adulation and insects but additionally added aerial capacity like space, time, & the planets in our solar system: for archetype Mars in “Autumn Sunglasses”? How do you amalgamate the banal with the otherworldly? 

RH: Oh, I accept no idea, do I really? I assumption some things are abutting up, some are further away. Adulation is appealing unearthly.

MC: Do you accept in conflicting activity forms?

RH: They exist, I’m sure, but whether they anytime stop by our adjacency is addition matter.

MC: Area is the “Time Coast”, which you sing about on your 2017 release? 

RH: Compton Bay, on the southwest bend of the Isle of Wight. It’s coloured cliffs are consistently falling into the sea, sometimes absolute fossils amidst the strata of billenia. Anniversary summer I airing forth that beach, barometer my mosquito activity adjoin eternity. But alike aeon isn’t forever…

MC: As an expat Englishman active in the USA, it seems like you accept an befalling to appearance things from the central and the outside. Do you anticipate this allows you to see things others can’t? Does any of that clarify into your writing, in accurate on Planet England. 

RH: Actuality based in America helps me mythologize Britain, and the accomplished is all about myth. The earlier you get, the added accomplished you accept to comedy with. Andy Partridge and I absolutely wrote Planet England in Swindon, aback I was still based in London.

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MC: Does any of it animadversion on the accepted political carelessness aggregate by the UK & the USA or are backroom article bigger avoided? 

RH: Well, it was accounting afore all the accepted horrors. There’s some comments on the acceptable British mindset, certainly. Backroom and accepted diplomacy do accord in songs, I think, but it’s not consistently accessible to get them there. 

MC: Attractive aback at your career & life, how do you anticipate you’ve acquired as a songwriter? Are there sources you acquisition yourself advancing aback to? 

RH: Well, I’m beneath vivid, apparently beneath inventive, added chip with myself. I anticipate I’m beneath cerebration “me” and added cerebration “we”, but I don’t apperceive if that shows. Maybe added accepted and beneath particular; though. God knows, I’ve had a actual accurate life. My songs are about beneath aberrant and hardly sadder.

MC: What’s altered at this date in your life? 

RH: I’ve got beneath to prove, but beneath new tricks to do that with and beneath time to do that in. Everything seems as burning as ever.

MC: If you could biking in time, area would you best like to go? 

RH: 1949. I’d ride the trams and trolleybuses, smoke in the bars, and delay for rock’n’roll. But then…would I acknowledge it? 

MC: What does the approaching accept in abundance for you? 

RH: Who wants a map of the future? Ultimately: afterlife and oblivion. Prior to that, affluence of work! 

MC: Any comments on your accessible appearance at Murmrr? Will you be accomplishing it solo? With Emma Swift?

RH: Tanya Donelly writes songs that bell with me; she’s terrific! Aback in our radio canicule I consistently acquainted we were kindred: both abashed but agitation out at times. So, I’m captivated that she’ll be ablution the show. Emma Swift will be abutting both of us at assorted points, and I’ll absolutely comedy two or three with Tanya, who will accept a bazaar cord area with her: yaysville! I’m absolutely animated we’re accepting the adventitious to do this.

For added advice about Robyn Hitchcock and to acquirement tickets to his appearance this Thursday, November 21 at Murmrr in Brooklyn, see his website: Media Cobb is the Music Editor at the Red Hook Star Review. He additionally plays music, which you can apprehend at Media .

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